Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, in warm painterly tones against cool grey-blue stone
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in warm sandy stone tones with rounded, cobbled texture
Warm red-ochre watercolour wash on pale ground. Loose and gestural. The figure feels sketched in colour rather than drawn in line.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, painted in loose watercolor washes of red-ochre on pale ground
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in thick impasto with plum-mauve and cool blue, brushwork unifying figure and ground
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in bold, unified brushwork of cool blue-grey and white
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice