Soft painterly impasto in warm flesh and stone tones. The background reads as marbled or plastered surface. Figure and ground feel made of the same material.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Cool blue and lavender with rounded stone forms in the background. Softer and more organic than it first appears. The palette runs from ice blue to soft purple.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, muted blue-violet tones with gentle, sculptural stone textures
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, loose impressionist technique, glowing with pinks, greens, and blues
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, earthy cobblestone surface, figure integrated into rounded relief forms
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, painterly and expressive, thick impasto in soft golds and faded pinks
Pale lilac and warm yellow with tall vertical brushstroke forms filling the background. The figure is rendered in golden flesh tones against the soft luminous surround. Light and airy with a distinctive period colour sensibility.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, pale lilac ground and golden flesh tones with tall expressive brushwork
Warm dusty rose taupe and soft blue with rounded organic forms filling the background — oyster shells or river pebbles in muted warm tones. Figure integrates into the tactile organic surface. Warm and primordial in character. More fluid and organic than Roman Mosaic.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, fluid pebble-like forms in warm muted hues create a tactile, ancient-feeling ground
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, organic botanical style, pale open surround with loose dark linear marks
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, bold fragmented brushwork in warm saturated blues, ochres, and rose
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, luminous cubist planes in blue, cream, and confident warm tones
Entire surface covered in dense irregular fragments suggesting tumbled cloth or folded laundry in warm peach cream cool grey-blue and taupe. Figure fully dissolved into the same fragmented surface with no distinction between figure and ground. Warm domestic and all-over.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, modest, fragmented surface of peach and cool grey-blue suggests folded laundry with no focal point