Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Standing boudoir nude waiting, in bold red and white geometric planes with black outlines and cubist fragmentation
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Standing boudoir nude waiting, rendered in warm sandy stone tones with rounded, cobbled texture
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Standing boudoir nude waiting, rendered in warm impasto strokes of muted gold, blue, and pink
Cool grey with ghostly watching faces filling the background. Unsettling and distinctive. Similar to Ghost Crowd but painterly rather than graphic.
Standing boudoir nude waiting, painted in muted grey tones with ghostly faces looming in the background
Pale lavender and grey with bold sweeping ribbon-like forms in the background. Soft but dynamic. The figure stands in a swirl of delicate movement.
Standing boudoir nude waiting, rendered in pale lavender and grey with bold sweeping ribbon-like forms
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Standing boudoir nude waiting, rendered in warm flesh tones against cool architectural grey, painterly and monumental
Warm golden-ochre with tall dark ornate column forms flanking the figure. The figure is rendered in luminous warm tones against the architectural surround. Rich and structured with a classical grandeur.
Standing boudoir nude waiting, painted in warm ochre and gold tones with ornate classical columns
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Standing boudoir nude waiting, rendered in cool blue and cream tones with tall pale monolithic forms
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Standing boudoir nude waiting, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Standing boudoir nude waiting, rendered in pale blue and cream geometric planes with warm flesh tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Standing boudoir nude waiting, rendered in pale washes with drifting cool and warm fragments on an open white ground
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Standing boudoir nude waiting, rendered in dense impasto strokes of grey-white and deep burgundy