Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Simple, pretty standing nude with bright eyes and a kind face, painted in soft impressionist strokes of blush, sage, and sky
Warm pink and grey with flowing organic forms in the background. Soft and painterly. The figure feels at ease in a gentle decorative surround.
Simple, pretty standing nude with bright eyes and a kind face, rendered in soft pink and grey tones with fluid painterly brushwork
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Simple, pretty standing nude with bright eyes and a kind face, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Simple, pretty standing nude with bright eyes and a kind face, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Pale blue rose and cream with ghosted figurative forms flanking the central figure — softer and more ethereal than Clay Chorus. Background generates cool pale presences rather than warm terracotta. Figure stands quietly in the dreamlike surround. Cool and understated with a classical composition.
Simple, pretty standing nude with bright eyes and a kind face, rendered in cool blue and cream tones with ghostly flanking figures
Cool ashen blue-grey forms churn through the background in loose gestural marks — chaotic and atmospheric. Figure painted in warm flesh tones against the turbulent cool surround. The background energy dwarfs the figure.
Simple, pretty standing nude with bright eyes and a kind face, in loose gestural brushwork with cool ashen blues swirling around warm flesh tones
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Simple, pretty standing nude with bright eyes and a kind face, rendered in soft pointillist strokes of cream and mauve-blue that bleed into luminous clouds
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Simple, pretty standing nude with bright eyes and a kind face, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Simple, pretty standing nude with bright eyes and a kind face, rendered in luminous whites with dark tendril marks and warm flesh tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Simple, pretty standing nude with bright eyes and a kind face, rendered in bold, unified brushwork of cool blue-grey and white
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Simple, pretty standing nude with bright eyes and a kind face, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Pale warm peach ground with massive sweeping black forms rendered in bold gestural marks at cave-painting scale. Figure painted naturalistically and relatively small against the dominant primitive marks. Raw and monumental.
Simple, pretty standing nude with bright eyes and a kind face, in raw gestural black on warm peach, monumental cave-scale marks dwarfing the figure