Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in warm earth tones with painterly classical technique
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure leaning back, diverted eyes, nude, somewhat risqué, painted in soft impressionist strokes of blush, sage, and sky
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in fractured geometric planes of cool blue, crystalline and sharp
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in pale cream and warm rose with stippled newsprint texture
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in creamy marble tones with bold red, blue, and gold splashes
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Figure leaning back, diverted eyes, nude, somewhat risqué, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in thick impasto strokes of blue-grey and ochre in a sweeping herringbone pattern
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in bold dark contour line on pale blue ground with warm flesh tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in bold, unified brushwork of cool blue-grey and white
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Figure leaning back, diverted eyes, nude, somewhat risqué, rendered in pale washes with drifting cool and warm fragments on an open white ground