Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Standing demure nude seen from the side in an art gallery, warm red cubist fragmentation, faceted planes revealing structure
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Standing demure nude seen from the side in an art gallery, against rounded stone-like forms in muted grey and white, light and spacious
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Standing demure nude seen from the side in an art gallery, dense honeycomb pattern in amber tones with graphic white forms
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Standing demure nude seen from the side in an art gallery, rendered with angular rock forms in cool grey framing warm naturalistic figure painting
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Standing demure nude seen from the side in an art gallery, layered with calligraphic blue-grey inscriptions beneath warm figurative passages
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Standing demure nude seen from the side in an art gallery, painted in warm brown with ghostly presences emerging from atmospheric darkness
Warm flesh and terracotta tones with ghosted figurative forms flanking the central figure. Background generates a crowd of pale sculptural presences in warm clay and soft blue. Painterly and classical in register. Figure stands before what feels like an audience of forms.
Standing demure nude seen from the side in an art gallery, painterly classical style with pale sculptural crowd forms in soft blue and ochre
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Standing demure nude seen from the side in an art gallery, painterly and delicate, with spectral presences softly haunting the pale ground
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Standing demure nude seen from the side in an art gallery, silk-screened in faded rose and cream, ghostly and lightly textured
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Standing demure nude seen from the side in an art gallery, fragmented through crystalline geometric forms in earthy tones, structural and monumental
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Standing demure nude seen from the side in an art gallery, bold baroque drama with swirling cream flesh tones against deep blue
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Standing demure nude seen from the side in an art gallery, soft cloudlike ground with charcoal vine tracery and cool blue-grey base