Soft painterly impasto in warm flesh and stone tones. The background reads as marbled or plastered surface. Figure and ground feel made of the same material.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, loose impressionist technique, glowing with pinks, greens, and blues
Dark and dramatic with ghostly figurative forms emerging from the background. Rich and atmospheric. The figure stands before what feels like a scene from a classical painting.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, dramatic old-master style, luminous figures rising from a shadowed ground
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, cool-toned stone backdrop of rounded boulders, figure distinct in front
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, painterly style with muted greys and large sculptural background forms
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, free tessellated brushwork in blue, white, and pink, figure and field unified
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, dusty pink and mauve surround of large rounded stone shapes with soft grotto-like depth
Dusty mauve-grey stone texture absorbs the figure into the surface. Body reads as shallow relief rather than figure against background. Cool and permanent — the source becomes architecture.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, monolithic grey-pink surface, body fused with architectural weight
Deep crimson and burgundy flank a central burst of white and gold light behind the figure. Background generates large wing-like forms in warm crimson and cream. Figure stands illuminated against the dark dramatic surround. Operatic and theatrical — one of the most dramatic warm styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow
Pale blue rose and cream with ghosted figurative forms flanking the central figure — softer and more ethereal than Clay Chorus. Background generates cool pale presences rather than warm terracotta. Figure stands quietly in the dreamlike surround. Cool and understated with a classical composition.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, soft figurative forms in blue-white haze, understated and quietly classical
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, distinctive marble-like surface with energetic bursts of deep jewel tones
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the waist, organic botanical style, pale open surround with loose dark linear marks