Figure 2515

Nude kneeling on the arms of an overstuffed chair. Figure 2515 rendered across multiple artistic styles.

Nude kneeling on the arms of an overstuffed chair, dramatic stone forms in rich ochre and taupe, old master style

Sienna Depths

Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.

Nude kneeling on the arms of an overstuffed chair, dramatic stone forms in rich ochre and taupe, old master style

Nude kneeling on the arms of an overstuffed chair, rendered in expressive swirling greys with a considered, three-dimensional quality

Thrown Clay

Warm grey with bold swirling painterly forms in the background. The figure feels modelled rather than painted. Sculptural and considered.

Nude kneeling on the arms of an overstuffed chair, rendered in expressive swirling greys with a considered, three-dimensional quality

Nude kneeling on the arms of an overstuffed chair, against rounded stone-like forms in muted grey and white, light and spacious

Marble Day

Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.

Nude kneeling on the arms of an overstuffed chair, against rounded stone-like forms in muted grey and white, light and spacious

Nude kneeling on the arms of an overstuffed chair, bold cyan outline glowing against soft grey painterly forms

Neon Trace

Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.

Nude kneeling on the arms of an overstuffed chair, bold cyan outline glowing against soft grey painterly forms

Nude kneeling on the arms of an overstuffed chair, fragmented Byzantine mosaic texture, pale grey-white tiles unifying figure and field

Stone Tessera

Fine mosaic tessera texture over pale grey-white stone forms flanking the figure. The surface maps figure and background in the same fragmented material. Cool and tactile with an archaeological quality.

Nude kneeling on the arms of an overstuffed chair, fragmented Byzantine mosaic texture, pale grey-white tiles unifying figure and field

Nude kneeling on the arms of an overstuffed chair, rendered in muted urban greys with worn surfaces and atmospheric depth

Worn Wall

Cool grey with large weathered plaster forms and dark patches filling the background. The figure is warmly rendered against a worn derelict surround. Painterly and atmospheric with a genuine urban quality.

Nude kneeling on the arms of an overstuffed chair, rendered in muted urban greys with worn surfaces and atmospheric depth

Nude kneeling on the arms of an overstuffed chair, fragmented angular geometry in icy tones, figure dissolved into precise crystalline forms

Blue Shard

Cool blue-grey with large angular fragmented planes filling the entire image. The figure is integrated into the geometry with warm flesh tones as the only warmth in the composition. Precise and cool with a rounded arch framing the surround.

Nude kneeling on the arms of an overstuffed chair, fragmented angular geometry in icy tones, figure dissolved into precise crystalline forms

Nude kneeling on the arms of an overstuffed chair, painted with soft rounded cloud shapes in cool blue and white, warm figure against airy ground

Barbuda

Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.

Nude kneeling on the arms of an overstuffed chair, painted with soft rounded cloud shapes in cool blue and white, warm figure against airy ground

Nude kneeling on the arms of an overstuffed chair, cool surrealist palette of haunted blues, spectral skull faces drifting through dark grounds

Blue Haunting

Deep navy and cobalt with rounded organic forms in the background — ghostly skull-like faces scattered through the dark blue ground. Figure is cool and pale against the haunted surround. Oceanic and eerie rather than overtly threatening. Dark and distinctly unsettling.

Nude kneeling on the arms of an overstuffed chair, cool surrealist palette of haunted blues, spectral skull faces drifting through dark grounds

Nude kneeling on the arms of an overstuffed chair, multiplied self amid a crowd of pale echoes in muted blue-grey

Echo Chamber

Cool blue-grey palette with the source figure tiled and ghosted across the entire background. The central figure emerges from a crowd of her own echoes. Unsettling and self-referential — the style turns any subject into its own wallpaper.

Nude kneeling on the arms of an overstuffed chair, multiplied self amid a crowd of pale echoes in muted blue-grey

Nude kneeling on the arms of an overstuffed chair, painted with convincing geological weight, dark slate floors and luminous cave walls

Cobalt Grotto

Cool blue-grey stone walls with large pale rock forms catching light behind the figure. Floor reads as dark slate. The figure stands in a rocky alcove or cave interior — cool and substantial. One of the more convincingly geological grottos in the set.

Nude kneeling on the arms of an overstuffed chair, painted with convincing geological weight, dark slate floors and luminous cave walls

Nude kneeling on the arms of an overstuffed chair, painted in hot fauvist tones where figure dissolves into blazing streaked color fields

Sunstroke

Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.

Nude kneeling on the arms of an overstuffed chair, painted in hot fauvist tones where figure dissolves into blazing streaked color fields